Showing posts with label ANDY WARHOL. Show all posts
Showing posts with label ANDY WARHOL. Show all posts

11.2.15

Foot Werk

You don’t need Google to tell you anything goes on the internet. Add a hashtag to that anything and you find yourself sympathising with a global online community hungry for expression in as few and witty characters as possible. So to the recent buzz this week that has been reported by the likes of Dazed & Confused, i-D and PAPER Magazine on the curious hashtag that is #heelconcept. Punch this meme into Instagram and behold a collection of arched feet, precariously balancing atop resolutely lo-fi objects from the sublime to the ridiculous to create the illusion of a high heel shoe.

First recorded by the grammer @m.sty in December of last year, who stood on a bronze figure performing autofellatio against the backdrop of a cutting mat, the hashtag has since inspired hundreds of avant-garde prototypes as a means of alternative self-portraiture. 

High fashion, contemporary art and a generous helping of irony at its most fabulous come together in an amalgamation of DIY beauty and anti-aesthetic style, which has left trend forecasters head over heels. Perhaps because on closer inspection #heelconcept has been attracting both sexes with fashion journal WWD headlining ‘Ladies step aside: The men are coming up with their own #heelconcept’, with their respective hairy limbs en pointe, including that of my own. Having come across the phenomenon on my feed last week I couldn't resist raiding the kitchen cupboards to channel the lexicon of none other than pop culture supreme Mr Warhol, by putting my toes to werk.
#heelconcept by @jonathanvelardi

From running water to ‘walking on water’ and even the edible, here are a few of my favourite vertiginous creations…

by @m.sty




 





There are 764 images tagged #heelconcept on Instagram at the time of writing this post.

#heelconcept by @jonathanvelardi has been featured on:
- Dazed & Confused ('What the hell is #heelconcept?')

Follow my Twitter @jmvelardi and Instagram @jonathanvelardi 
for more on Arts, Culture and Lifestyle from the www and beyond

23.11.12

Warhol At Windsor

The King of Pop Art, Andy Warhol said, “I want to be as famous as The Queen of England". Since the American artist’s death in 1987, countless retrospectives and iconic auctions of his trademark technicolour screen prints have travelled around the world, entering the public and private collections of the most powerful and popular personalities in the late twentieth and early twenty-first centuries. Contemporary culture continues to not only reference Warhol’s trademark aesthetic but also his intuitive prediction of the phenomenon that is celebrity today, coining the 'fifteen minutes of fame' expression in 1968,
“In the future, everyone will be world-famous for fifteen minutes".
Queen Elizabeth II of the United Kingdom, Edition 'R' - Andy Warhol, 1985
If there is anyone who is to defy fifteen minutes, or fame for that matter, it is The Queen of England. Presidents, dictators and actors have come and gone, however it has been Queen Elizabeth II who has surpassed Warhol’s eclectic global subjects: way beyond fifteen minutes, eighty six years and counting, of which sixty have been to serve her country. In an era when it has been possible for artists, namely Damien Hirst, to become as wealthy as The Queen, it is the untouchable allure of Monarchy that transcends time and remains an inspiration for artists throughout history past, present and most likely future. Hirst is regularly likened to Warhol in practice and panache. Should Warhol have been alive today, Hirst would undoubtedly have some competition on both art and rich list charts, but more importantly he would realize he had achieved the levels of fame akin to the British Monarch. One thing that he may not have predicted was that the person he wanted to be as famous as would one day also be his collector.
Windsor Castle in Berkshire - the world's oldest inhabited working castle
In the year that marks her Diamond Jubilee, in September The Royal Collection acquired a series of four screen prints of The Queen by Warhol. The four portraits on paper - edition 14 of 30 from Warhol's Royal Edition - were reworked from The Queen’s official Silver Jubilee photograph in 1977 by Peter Grugeon and form part of the portfolio Reining Queens, which include Queen Beatrix of the Netherlands, Queen Margrethe II of Denmark and Queen Ntombi laTfwala of Swaziland. Executed with a spectrum of colourways and sprinkled with fine particles of cut glass, known as ‘diamond dust’, the glittering purchase of Warhol’s work for The Royal Collection - property of the Monarch as Sovereign, held in trust for the British nation – signifies the conscious acceptance of the adage that has been synonymous of late with the House of Windsor: changing times. Joining the exclusive and spectacular roll call of artists from Holbein to van Dyck, da Vinci and Rubens, Lady Jane Roberts, Royal Librarian at The Royal Collection explains,
The Warhol prints are in many ways the most important popular image of the queen to be created by an artist print maker over the last few decades.”
Opening today, the new works are on exhibit for the first time since their acquisition alongside select images by Beaton, Freud, Rankin and Leibovitz as well as a host of society photographers and international portrait artists as part of the exhibition, The Queen: Portraits of a Monarch, at Windsor Castle to commemorate the anniversary of the Queen’s Coronation next year. Charting the very first photograph of The Queen after her accession, taken by Dorothy Wilding, to subsequent official and Jubilee portraits commissioned by state and institution, the exhibition consists of works from different Royal residences and presents the image of a woman – a fact society seems to forget when erratic waves of feminist absence stir - whose face and expression has been captured in various sittings and moments in time; for canvas, coins, bank notes and postage stamps.
 The Print Room in the Royal Library, Windsor Castle
The addition of Warhol to the collection in this landmark year for Monarchy makes for quite the fairytale: a Queen-to-be and the son of Slovak American-dreamers, born within two years of each other, both conscious of one another in the public eye and yet leading polar opposite lives across the Atlantic, now come to share the exceptional historical status in both word and image. The conceptual process of repeat that the artist pioneered in the mid-fifties now resides under the Wyatville-designed ceiling of a woman whose very own face has been the most repeated image to date.

Pop Art’s message is often lost by its unashamedly superficial surface and familiarity with the language of advertising, however it is a movement that manipulates and exposes the everyday to new narratives for social reflection and its inherent nature of colour and repetition remains a potent product in demand across creative markets. As an admirer of Warhol and Pop Art, I have been fortunate to view his prolific body of work on my travels over the years and I was very excited today to be able to merely walk up the road and come face to face with his works in my hometown of Windsor, Berkshire. The Queen: Portraits of a Monarch is a refreshing display in contrast to the more traditional exhibitions that are sourced from the collection’s vast archives for the gothic gallery space at Windsor Castle. Consisting of a variety of mediums and expressions, each with their own individual story, the exhibition complements The Royal Collection’s permanent installation in the State Apartments and reminds visitors that the story of British culture and identity is living and breathing - beyond fifteen minutes, years, decades and centuries.

I’m sure The Andy Warhol Foundation – whose original collection is currently being auctioned to fund future expansion for the Visual Arts across America – feel a sense of pride that their founder’s dream posthumously came true.

The Queen: Portraits of a Monarch is part of a visit to Windsor Castle and runs from 23rd November 2012 to 9th June 2013. Click here for further visitor information about Windsor Castle and the exhibits on display.

Visit Christie’s for more details on forthcoming auctions from The Andy Warhol Foundation.  

Images courtesy of Royal Collection Trust

26.7.12

Hot Wheels

Alexander Calder - 3.0 CSL, 1975
A work of art usually commands the pensive respect of time and reflection in environments of either beauty or clinical white space. The ICA in partnership with BMW, the Official Automotive Partner for the London 2012 Olympic and Paralympic Games, have turned this concept upside down to present the brand’s celebrated Art Car series.
Spanning thirty-five years of international collaboration between art and chassis, ART DRIVE! explores an exciting vision that started in 1975 with the first commission of Alexander Calder to customise a BMW 3.0 CSL for the Le Man 24 Hour Race. This was art for the racetrack - before the era of corporate branding and art market obsession – far from the white cubes where one associates works by Hockney, Lichtenstein, Rauschenberg and Koons to name only a few of the members of this exclusive club of the who's who in the contemporary art world.
Going Up: the ICA at the NCP Great Eastern Street car park
In what was one of the most enthralling entrances into an art space I have ever experienced, the carport lift of the landmark NCP Great Eastern Street car park in Shoreditch carried me to the top floor of the ICA’s temporary outpost earlier in the week to view the exhibition for art connoisseurs and petrolheads alike. From the polished intervention of metallic letters by Jenny Holzer on a V12 LMR to Andy Warhol’s fluid enamels on his M1, the artist’s touch transforms these already beautiful machines into priceless works of art on four wheels. The mobile museum is themed by art styles across all floors – the bold colours and shapes inject a vibrancy and sense of speed, which these works were initially designed for. The seventeenth Art Car by Jeff Koons - an M3 GT2 - is the last in this iconic series, digitally rendered in an explosion of colour, it appropriately culminates the journey in time of BMW’s patronage of contemporary art through a variety of mediums and technologies over more than three decades. 
While it is not known what is next for BMW’s creative future, what is certain is that this year’s London Games have employed the most culture-fuelled agenda ever seen at an Olympics with a varied and innovative schedule of events that reiterate the focus of art, music and performance alongside sport during the London 2012 Cultural Olympiad
Having missed catching a sight of an Art Car at the BMW Welt Museum in Münich last year, it was the first time I have seen one in person and the whole experience of all seventeen models was a curatorial marvel encased within black tape screens that added a flair of minimal engineering for its design-conscious visitors amongst the classic CSis and CSLs. Due to the rarity of this unique collection's outing, it is a must-see in everyone's Olympic diary before its closure in two week's time. Below are a few photos from the my visit – sit back and enjoy the ride…
Jenny Holzer - V12 LMR, 1999
Frank Stella - 3.0 CSL, 1976
César Manrique - 730i, 1990
 Andy Warhol - M1, 1979
 Roy Lichtenstein - 320 CSi,  1977
 Robert Rauschenberg - 635 CSi, 1986
David Hockney - 850 CSi, 1995
Esther Mahlangu - 525i, 1991
A.R. Penck - Z1, 1991
Jeff Koons - M3 GT2, 2010
For more information on this exhibition and other events from the Cultural Olympiad over the London 2012 Games visit London 2012 Festival.

ART DRIVE! The BMW Art Car Collection 1975-2010
21st July - 4th August 2012
NCP Great Eastern Street car park
London EC2A 3ER

13.7.10

A Toast To Pop

With his paintings of celebrities and icons of the Sixties, Andy Warhol created a buzz around him at his creative headquarters The Factory in Midtown, Manhattan and with any buzz there has to be bubbly. So it comes as no surprise that the world's most prestigious Champagne has decided to honour Warhol with a series of limited edition bottles in a series of colourways that befits the artist's painting palette as I'm sure it would his taste palette were he alive today. Dom Pérignon is not foreign to creative collaborations in recent years - Karl Lagerfeld and Marc Newson have worked with the notorious Champagne house on a number of designs that have explored the brand's simple, yet iconic, bottle and label. 
Dom Pérignon brilliantly toasts the artist who has made Popular Culture what it is today. Leave the cans of Campbells at home and raise your glass in style... Salute!