Showing posts with label WES ANDERSON. Show all posts
Showing posts with label WES ANDERSON. Show all posts

17.10.13

Hotel Wes

The hottest hotel destination for 2014 is opulent and eccentric with a fine eye for detail – behold The Grand Budapest Hotel located in the wonderfully whimsical world of Wes Anderson. After his celebrated ode to summers of love in last year’s Moonrise Kingdom (The Kingdom ComeJanuary 2012), Anderson’s latest creation is a wintery adventure of wealth, murder and romance. 
Shot through a regal spectrum of red carpets and purple tailcoats, the film director’s most beloved subject, the hotel, returns to take centre stage for a stellar cast featuring Anderson-regulars (Wilson, Murray, Dafoe, Brody, Schwartzman and Swinton) and rookies (bienvenuewillkommen and welcome Ralph Fiennes, Jude Law, Saoirse Ronan and Tony Revolori). The star ratings have accumulated through Anderson’s cinematic career: from a Texan motel in Bottle Rocket to the heights of the Waldorf Astoria and Hôtel Raphaël in The Royal Tenenbaums and The Darjeeling Limited respectively. Hotel life makes for a compelling backdrop for Anderson, as it has been for his close contemporary Sofia Coppola (Lost in Translation, Somewhere). The Grand Budapest Hotel is five-star in meticulous style and loaded Anderson-symbolism as well as elaborate substance, with an irresistible narrative of upstairs, downstairs Downton-dynamics that plays out in the hotel lobby surrounding concierge and lothario Gustave H (Fiennes) and a Dowager Countess of Grantham-inspired Madame D (Swinton). Inheritance and art fuels the ritzy drama that is distinguishably Anderson, while also proving there is much more to explore in this crazy microcosm that has earned an established cult following, which will undoubtedly command advance bookings for a night’s stay in an imaginary Hotel Wes – if only for the bespoke hotel stationery. Imagine! Have your Do Not Disturb signs at the ready for a March 2014 release...


23.4.12

T Minus 24 Days...

... to the opening of the Festival de Cannes 2012, and we all know what that means: queue highly anticipated Wes Anderson feature, Moonrise Kingdom (The Kingdom Come, January 2012). Here's the film's official poster in oh-so Anderson-aesthetic... tic tac tic tac...

5.2.12

Sometimes...

... it's OK to be going nowhere. 
As long as you have your suite of bespoke luggage, it's all you will need. 
The Darjeeling Limited, 2007

18.1.12

The Kingdom Come

All that needs to be said about the highly anticipated (understatement of 2012) new film my legend, and personal idol, Wes Anderson is this: colour, music, style, old faces (all hail Murray, Murray all hail), new faces (shout out to Willis's agent who sold "this would be a great new move for you" to him), New England, typography, mustard hues - all in a world where twelve-year-olds have personalised stationery and where life is lived in a beautiful alternative technicolour in Moonrise Kingdom. Let the suspense commence…