11.3.12

Peel Slowly & Use

Keith Haring
Launching with its second issue at the beginning of this year’s international Fashion Weeks, Garage Magazine proves it's much more than high art, high fashion and high life. Dedicated to Sex & Relationships, Issue No. 2 has a lot riding on it – we all remember the release of Issue No. 1 last year with its intimate Damien Hirst installation & interactive cover (Peel Slowly & SeeAugust 2011) – but what with the continuing debates during the American presidential election and current state of affairs in England over gay marriage, the issue that also looks at internet dating and fertilisation technology is very much on the political pulse, and if the content doesn’t get your pulse racing then the issue’s artist-designed condoms may very well get you in the mood. Mat Collishaw, Keith Haring, Sue Webster and Tim Noble have all contributed their own conceptual take on the condom wrappers, which can be found in every new issue of the magazine and proves that no surface is safe from high art. 
 Mat Collishaw
 Sue Webster
Tim Noble
Garage No. 2 Magazine is out now at newsstands.

9.3.12

Marketing La Marque

The doors of the Musée des Arts Décoratifs in Paris open to the public toady for the Louis Vuitton Marc Jacobs exhibition that explores the French fashion house’s journey from the epitome of utility during the industrial age of travel in the mid-nineteenth century to the status symbol of luxury which the brand is celebrated for today. Monsieur Louis Vuitton reacted to the needs of an era by starting his business as a packer in 1854, producing lightweight, water-resistant trunks that symbolized the cultural motions of high society and the birth of a brand – the infamous LV monogram was created in 1896 and travelled around the world wherever it’s owners went. 
That very monogram continues to be produced today and has appropriated even greater socio-symbolic meaning under Marc Jacobs as the brand’s Creative Director since 1997. The exhibition draws parallels between the two men and ultimately looks at the marketing strategies which Louis Vuitton the brand has pioneered for over a century. The fashion pack will swoon over cuts and cloth but Jacobs’s collaborations with international contemporary artists will have the art crowd hooked on the works by Takashi Murakami, Richard Prince, Stephen Sprouse and Yayoi Kusama to name a few, who have injected another layer on top of the iconic monogram: from illustrations and graffiti, to text and dots. Fashion’s relationship with popular culture has no doubt been a reaction to the once-conceptual direction Jacobs introduced to his well-travelled, culture-rich customers that is now commonplace in the luxury sector. The brand’s most recent collaborator is filmmaker Christian Bosrtlap who has been commissioned by online luxury lifestyle platform NOWNESS to create a short that will be screened in the exhibitIon, depicting this very idea of travel through the luxury brand’s heritage and reinvention of its iconic style throughout the centuries that is uniquely la marque Louis Vuitton.
.
Louis Vuitton Marc Jacobs opens today at the Musée des Arts Décoratifs and runs to 16th Septemebr 2012 - click here to view Borstlap’s short, Louis Vuitton I in full.
Film stills courtesy of NOWNESS

29.2.12

Creative Junkie

In my third installment from my travels in Japan last year, I visit the district of Akihabara: birthplace of the unique recipe that is Japanese Pop music, home to the aesthetically formed and manufactured forty-eight piece AKB48 Pop idol band, and land of the technologically advanced - you can, and will, find anything your digital heart desires.
It is not called Electric Town (Denki Gai) for nothing - down the light-fantastic boulevard of Chuo-dori you are welcomed by loud music, promotional noise, anime-ted visuals and a series of adopted, broken English words paired together with guerilla finesse onto storefronts such as 'Teen Idle', a firm favourite and a fine case of Engrish phonetics at its poetic best.
Design + Food = Taiyaki
Akihabara was also the site of my first introduction (and thereafter-addiction) to Taiyaki, a red bean cake made into the shape of a sea bream and makes for the ideal accompaniment when exploring the area.

The side streets off Chuo-dori are a warren of repair shops, video game stalls and the most curious of all curiosities, the Maid Café. A fantasy world of subservience, banana splits and omelette rice, all trimmed in frills and glitter. Waitresses dressed in maid costumes act out the role of master (or mistress - Butler Cafés also exist) and servant in a bizarre innocence that has seen it's popularity grow into an international franchise - remember, very little specifically caters for foreign tourism in Japan and Maid Café's are no different: expect the unexpected, a French maid costume does not mean fluent French, or English for that matter, but this is an experience not to be missed and is a slice of observing the creative imagination and fanatic culture of everyday Japan. 
It is only natural therefore that the area's high-octane creative soul, if somewhat manufactured, should also be home to one of Japan's most exciting art centres. Launched in 2010, 3331 Arts Chiyoda occupies the renovated Rensei Junior High School to form a hybrid multi-level space for exhibitions and independent galleries and studios. With its mission to break down the barriers of inaccessibility commonly found with art institutions, 3331 is an art centre after my own heart - the space is open and welcomes a wide audience to use the converted schoolyard-now-public park, to attend workshops and events around art education in the old sports hall and view the works of both native and international artists-in-residence throughout the year.
The focus on community is represented in the centre’s name – ‘3331’ originates from the traditional Edo custom handclap, Edo Ippon Jime, with a series of three hand claps three times, ending in a single clap, and performed when one wants to share emotions of happiness and encouragement. 

 Seiko Iwasaki at Akibatamabi 21
3331 has successfully made a name for itself on Japan's art scene and is now a creative hub linking the country's various regions to a wider network in Asia with the intentions of presenting art in a new light. The idea of 'hub' is evident as one roams the floors and hallways with the old school’s drinking fountains still intact - the vibe is young and conscious of the mission in which its housed - galleries, publishers and designers all share facilities and networks, promoting contemporary art with an awareness of a wider audience. From the billboard installation that decorates the building’s façade to the open plan studios which visitors can look through and observe artists at work, 3331 may no longer be a working school but it continues to provide an education and platform for the new direction art should be packaged and presented in an evolving twenty-first century.
Visit 3331 Arts Chiyoda for more information about their exhibition and events programme as well as details on their tribute to those affected by the Tohoku earthquake a year on with Making as Living, the Great East Japan Earthquake Regeneration Support and Action Project. 

3331 Arts Chiyoda
6-11-14 Sotokanda
Chiyoda-Ku Tokyo
101-0021

22.2.12

#Parklife

It smelt like teen spirit yesterday night at the 2012 BRIT Awards in London. Pop art legend Sir Peter Blake worked his unique formula of music-inspired-art with his trademark Sixties aesthetic that is now synonymous with the zenith of British music of the era - he redesigned this year's award statue with a splash of Britannic red, white and blue as well as granting the set designers use of his signature icons of hearts, targets, stars and rainbows. Adding to this nostalgia was most notably the comeback of Outstanding Contribution to Music winners Blur who rocked out to a decidedly #highlife set.
All the Girls & Boys wishing it was the Nineties all over again...

  

14.2.12

Lovers & Haters

Sweet roses, summer rain and purple shades of evening were lost in translation somewhere down the line in the commercial-overload that is now Valentine's Day, but rest assured this is a zero-percent-cocoa-content-and-flammable-animal-toy free zone. For the lovers and haters of 14th February I give you the gift of song - here's British Pop Band Unit 4 + 2's 1965 hit Concrete and Clay to get you tapping and swinging to the beat. Heartbeats optional. XOXO


5.2.12

New Look

New week, new look. I'm currently busy working on setting up a new platform for all my practices and the first to get a fresh new logo is my beloved blog. Many of you will remember my post last August that launched the #highlife and #lowlife hashtags to encompass my own personal interests of art, culture and lifestyle that are presented through my online activity. 
Between The Lines - at the private opening of Michael Craig-Martin's 
graphic Pop sensibility on the New Art Centre estate, Salisbury

Many people ask me what it all means and I always reply that it can mean whatever you want it to mean - what I find interesting are the boundaries of high brow and low culture that are increasingly crossing over in the creative realm and I hope the hashtags will be used beyond their face value assumptions and stereotype of high and low culture. From art and design to lifestyle and taste, I hope the use of the hashtags on my own posts as well as my follower's social media activity will produce a record of views attributed to creative collaboration from around the world and the balancing act between exclusivity and the wealth of association that comes with it with popular consumer demand fuelled by profitable aspiration.
What's French for "Edgy"? - banlieue graffiti artist Kongo brings street style to 
French luxury house Hermès AW11 carré collection

I'm very interested in this concept of balance and the evolving interpretation of collaboration and expression and I intend to document high- and low- perception and the value of taste within twenty-first century society. I have interpreted this idea into my new blog logo as well as creating a couple of seesaw designs (below) that express this investigation, which I hope you will enjoy...
Get in touch and tell me what you think - you know the score, join me @JMVELARDI for the #highlife and #lowlife of the everyday...

Sometimes...

... it's OK to be going nowhere. 
As long as you have your suite of bespoke luggage, it's all you will need. 
The Darjeeling Limited, 2007

3.2.12

Stereo-type

It has been a while since my last post and with the weight of guilt growing with every letter typed for my other projects I'm currently working on, I decided: it's Friday, the weekend is nearly here and I need distraction. So since there's nothing better than music and visuals to forget about work and the winter freeze that is engulfing the UK right now, I thought I'd share M.I.A.'s new music video that has been released today. Bad Girls, a track first featured on her 2010 Vicki Leekx mixtape, has all the M.I.A. trademarks, only this time around the scene is hot Middle East swagger with a booty of Nineties' references, all given the midas touch. Directed by Romain Gavras, desert grit-meets-bling along the oil pipeline that acts as bleachers onto the spectacle of old school BMW E36s and Alfa 156-boy racers, only it's not boys behind the wheel, but burqa-clad women. The opposite sex has played no small role in the Arab Spring across the Arab states - mounting pressures on Saudi Arabia, so far saved from uprising through internal repression, unfortunately have done little to overturn the driving ban for women and whether this a politically-charged message, "Live fast, die young / Bad girls do it well" or satirical stereotype in song, "My chain hits my chest / When I'm banging on the dashboard", M.I.A. is on the money turning the cars, chicks and guns formula upside down. I'll leave you to make up your mind about the burqa back up dancers...


Have a great weekend everyone!

19.1.12

In The Meguro Mood

Whether you like it highlife in a fifty-third floor suite, like it down low upon a tatami mat in a ryokan or if you're a die hard when in Rome traveller and do as they do in a capsule hotel, then Japan offers all of this and much, much more - hotel slippers inclusive - across the country. When I was in Tokyo last year, before getting ready to head back to Blighty, I wanted to check into a hotel I had read a lot about in design publications - CLASKA is an eighteen-room boutique hotel housed in a converted seventies high-rise located in the trendy Meguro district scattered with interior design shops and studios.
While the hotel's seventies' history remains on the exterior, clad in a patchwork of era-specific earthy tones, the interior is a creative manifesto - "question Japanese aesthetic… through exploring the 'ordinary life' of Japan" - that mirrors its neighbourhood surroundings, presenting three traditional tatami-style rooms, twelve western-style rooms and most intriguingly, three D.I.Y. rooms, commissioned by young artists and designers to create conceptual themes on the seventh floor.
My curiosity got the better of me and debating between Pajama and Scar, I booked myself into Room 701 - Someone's Atelier - designed by Norihiko Terayama. The organic arrangement of framed flowers and wooden workshop-esque desk made for a simple, yet functional room with a great high rise view of Meguro and an unsurprising attention to detail such as the unique room key fob which are unique to all D.I.Y. rooms.
Room 701 - Someone's Atelier by Norihiko Terayama
Mixroom by Kaname Okajima
While I could have spent my whole time exploring my room, more eccentricities were to be found throughout the hotel: Mixroom was only outside my door on the same floor and is run by designer Kaname Okajima who produces alternative gifts for the home and accessories; on the floor above, the 8th Gallery is a large space with a rolling exhibition programme of art and events and the commercial Gallery and Shop DO located on the second floor offers a selection of contemporary Japanese products and exhibits artists' handicraft who conform to the beautiful aesthetic of the hotel and its mission of innovation and design. Now a successful concept brand, Shop DO may be found downtown in PARCO Shibuya department store and in Osaka. A great item produced by the hotel is a bilingual city guide - Tokyo By Tokyo -  that has been composed by some of Tokyo's most creative characters, all of whom offer an alternative guide and a plethora of hidden gems, district-by-district throughout the city, with titles from lavish toilets to bars and clubs that know how to party.
The full glass lobby looks out onto the buzzing neighbourhood and houses the hotel's cool Kiokuh lounge bar and restaurant which makes for a great spot to see and be seen, in both day and night, as well as DogMan, the in-house dog salon for perfect little pooches pampered by their equally perfect beauticians.
breakfast at Kiokuh
The rooftop terrace is a glorious deck that looks across the sprawling city and while Meguro is not considered central to any tourist attractions, the scene in neighbouring Daikanyama, south of Shibuya, is not to be missed. One of Tokyo's über hip enclaves, Daikanyama is where the yuppies set up home, with boutique shops and restaurants pitching up in bespoke architectural creations on a small yet impressive scale in keeping with the village-vibe of the area. Enjoy the tree-lined pavements and take a lunch break at Caffé Michelangelo, a Daikanyama-classic.
If you need to head out to the bright lights you will not be disappointed on your walk from the hotel to Gakugei-Daigaku station which will take you straight into Shibuya station. A ten-minute walk through meandering narrow streets will bring you to a brilliant bohemian market street of healthy delis and convenient stores that makes for a great example of everyday life in the city. The creative thread clearly runs deep in the area - don't miss Baden BadenMaison romi-uni and Good Fortune Factory , a selection of creative hotspots of style and for the stomach, tucked away en route. 
Gakugei-Daigaku
I had a great time at CLASKA - its style and service were both exceptional - a rare balance in an affordable bracket. CLASKA is the ideal hotel if you've already hit the tourist trail and are in the mood for a taste of stylish Tokyo through a bohemian lens, and if that alone doesn't sell it to you, I don't know what will. 
.
CLASKA
1-3-18 Chuo-cho
Meguro-ku 
152-0001 
Tokyo, Japan 
Tel: 03.3719.8121
.
More from my time in Japan coming soon - until then check out all my Japanese adventures here

18.1.12

The Kingdom Come

All that needs to be said about the highly anticipated (understatement of 2012) new film my legend, and personal idol, Wes Anderson is this: colour, music, style, old faces (all hail Murray, Murray all hail), new faces (shout out to Willis's agent who sold "this would be a great new move for you" to him), New England, typography, mustard hues - all in a world where twelve-year-olds have personalised stationery and where life is lived in a beautiful alternative technicolour in Moonrise Kingdom. Let the suspense commence…