All that needs to be said about the highly anticipated (understatement of 2012) new film my legend, and personal idol, Wes Anderson is this: colour, music, style, old faces (all hail Murray, Murray all hail), new faces (shout out to Willis's agent who sold "this would be a great new move for you" to him), New England, typography, mustard hues - all in a world where twelve-year-olds have personalised stationery and where life is lived in a beautiful alternative technicolour in Moonrise Kingdom. Let the suspense commence…
